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Although Nine Inch Nails mastermind Trent Reznor became the poster boy for industrial rock in the early 1990s, his '89 debut, 'Pretty Hate Machine', actually has a stronger foothold in '80s synth-pop. The guitar-heavy opener, 'Head Like a Hole,' is the most aggressive track on the album and proved to be the signature song for Reznor's initial breakthrough, but much of the disc sounds like a very angry and engerized Depeche Mode.
All of the tracks on 'Pretty Hate Machine' are based on synthesizer lines and programmed beats, with other elements - such as the distinctive bass on 'Sanctified' and sampled explosions on 'That's What I Get' - spreading out the sound.
King Krule (Peckham, 2016)
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